artist / researcher
31° 12.19’ E 120° 17.32’
Near Boorabin Rock, CY O’Connor Golden Pipeline, Great Eastern Highway, Western Australia. Or S 31° 12.19’ E 120° 17.32’
Nien Schwarz
Nien Schwarz is an interdisciplinary artist currently living in lutruwita (Tasmania) on unceded palawa-pakana land. She has had a life-long fascination with geology and has assisted geoscientists mapping outcrop and conducting field work across the Canadian arctic and outback Western Australia (1981 – 2017). She holds a BFA, University of Victoria, Canada, and a PhD (visual arts) from The Australian National University. At Edith Cowan University she taught sculpture, environmental art and history in art (2000-2018). She retains an honorary position in the School of Arts and Humanities.
Geology thematically underpins Nien’s artworks and writing. She creates large-scale site-specific installations, hand-made objects made from hand-built wild clays, and mixed-media paintings, prints, collages, and hand-stitched activist wear. Her works, including recent commissions and the films underFOOT and cloth stone clay, prompt consideration of human relationships to the ground beneath our feet and question where we are, who we are, and what will sustain us into the future.
CV
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Nien schwarz Artist CV
Education
1999 PhD (Visual Arts), Beyond Familiar Territory, Australian National University.
1994 BFA Double Honours, Visual Arts and Art History (First Class), UVIC, BC, Canada
Solo + significant installations
2022 In Situ at Holmes à Court Gallery, Perth
2011 Radicle in Dialogues with Landscapes, 2011 Perth Festival, UWA grounds
2008 Earth Matters at Turner Galleries, Perth
2006 Over My Shoulder at Perth Institute of Contemporary Arts (PICA)
2003 Transpose at Spectrum, Perth
2001 Promised Land. Key exhibitor in Perth International Arts Festival, The Church Gallery, Claremont. Touring with Art on the Move to regional centres: Mandurah Performing Arts Centre (2004), The Bank Midland (2004), Goldfields Arts Centre Kalgoorlie (2003), Bunbury Regional Art Galleries (2003), Geraldton Reginal Gallery (2002), Vancouver Arts Centre Albany (2002), Katanning Gallery (2002)
2001 Wh-eat Metis 3 in National Exhibitions of Science and Art. Collaboration with Murray Gibbs, Fremantle Arts Centre
1999 Beyond Familiar Territory at Canberra Museum & Gallery
1996 Bauxite at Canberra Contemporary Arts Space, Manuka
1995 Backbone 3 at de Vaalserberg, Rotterdam, The Netherlands
1995 Backbone 2 at Canberra Contemporary Arts Space, Manuka
Commissions
2023 Australian Laboratory Services (ALS) printed glass facade
2018 Place that glistens for the City of Joondalup Art Collection
2017 Core Values at Perth Core Library, DMIRS, DLGSCI Percent for Art Scheme (brochure)
2006 Transpose John Curtin Gallery Art Collection, Curtin University
2003 3 x 3 Urban Art, Forest Chase, City of Perth, Dept. Culture and the Arts
1999 ACT Dept. of Environment, Tidbinbilla Visitor's Centre custom flooring
1998 ACT Dept. Urban Services, Civic Lighting and Signage. Canberra City bus interchange beacon.
1997 Moving Territory (16-passenger lift), Canberra Museum and Gallery, ACT Public Art
Group exhibitions (selected)
2024 underFOOT: Melange, Mundaring Arts Centre
2024 Stuffed, Bolstered and Upholstered, Lawrence Wilson Art Gallery
2023 Cultivating Slow Making, Mundaring Ads Centre
2021 Tectonics, online lethologicapress.org
2021 Solastalgia at Lost Eden, Dwellingup
2021 Rare Craft Gallery 152, York, Western Australia
2021 We must get together some time, Indian Ocean Craft Triennial, IOTA 2021
2021 On Revolution at Gallery Central, Perth
2020 Hanging by a Thread at Holmes à Court Gallery, Perth
2017 34th Annual Sculpture Survey, Gomboc Gallery, 11 June – 2 July 2017
2017 Silent Speaks – Forrest Chase, Roe 8 protest, directed by Jennifer Kornberger
2016 Field working slow making, Spectrum Project Space, Edith Cowan University
2016 Direct Address Land Dialogues, Eastern Riverina Arts, Wagga Wagga
2016 Call of the Sea at the Moores Building Contemporary Art Gallery, Fremantle
2015 Bunbury Biennale Bunbury Regional Galleries
2015 Seven seasons in the field in Scene at Nyisztor Gallery, Melville
2014 My Own Executioner, curated by Ron Nyisztor, Mundaring Arts Centre
2014 InConversation at Spectrum Project Space
2014 Horizon: Exploring the west coast, the Clipperton Project, Fremantle Arts Centre
2014 Canopy: Into the forest Mundaring Arts Centre
2014 Becoming, University of Shanghai Science and Technology (USST)
2013 Pure Contemplation Without Knowledge 5 (PCWK5), Nyisztor Studio, Melville
2012 Japan and Australia Sculpture Exchange: Choju Contemporary Art, Kyoto, Zuiunan Gallery, Kyoto, Kaede Gallery, Osaka
2012 Joondalup Invitational Art Award
2012 Shopfronts on Beaufort, Gallery Central and EPRA initiative
2012 How to Talk with a Mountain, Paper Mountain, Awesome Festival, Northbridge
2012 WA Photographic Book Survey, Perth Centre for Contemporary Photography
2012 Conservatorium, Paper Mountain, Northbridge, Fringe World Festival
2011 Dialogues with Landscape (curated by Katie Lenanton) Perth Festival, UWA
2011 Artists for Peace (curator Pauline Williams), Moores Building, Fremantle
2011 Sculpture by the Sea, Cottesloe
2011 Home Open (curators: C. Hill, C. Cavaniglia, B. Honey), Fremantle Arts Centre
2010 PICA Salon, Perth Institute of Contemporary Art
2010 Get smART, John Curtin Gallery, Curtin University
2010 Sculpture by the Sea, Cottesloe
2008 Sculpture by the Sea, Cottesloe
2007 Paperartzi, Vancouver Art Gallery, Albany
2006 Sensation, City of Perth & Taipei exchange, Central Gallery, Perth
2006 Chart, John Curtin Gallery, Curtin University
2006 Sculpture Survey 2006, Gomboc Gallery, Middle Swan, WA
2006 Sculpture by the Sea, Cottesloe
2006 My Own Executioner, Mundaring Arts Centre, Mundaring, Australia
2006 Art in Bloom, City of Perth
2005 Transpose in Sculpture by the Sea, Cottesloe
2004 On the beach at Maritime Museum, Fremantle
2003 Transpositions Art on the Move touring exhibition to: IASKA Kellerberrin,
Mandurah Performing Arts Space, Katanning Art Gallery, Geraldton Regional Art
Gallery, Narrogin Art Gallery, Cannery Arts Centre, Esperance
Collectables (curated by Andrew Nicholls), The Moores Building, Fremantle
2002 Initial Spectrum (curated by Domenico de Clario), Spectrum Project Space
2002 Transpositions Dutch Artists in Western Australia, Western Australia Museum
2001 Metis 2001: Wasted, Fremantle Arts Centre
2001 Uglieland at The Moores Building, Fremantle
1999 Vital Signs Michaelis School of Fine Art, Cape Town University
1999 Vital Signs Stargard Szczecinski Museum, Szczecinski, Poland
1998 Canberra National Sculpture Forum (curated by David Watt)
1998 ACUADS Project Space RMIT Project Space, Melbourne
1998 Vital Signs Photospace Gallery, Canberra School of Art, Australia
1997 Mapping the Comfort Zone (curator Vivonne Thwaites), Artspace, Adelaide
1997 Nien Schwarz and Hanh Ngo, Canberra School of Art Gallery
1996 Nomadia, de Vaalserberg, Rotterdam
1996 The 12th Tamworth Fibre/Textile Biennial, Tamworth Regional Gallery (touring Campbelltown, Dubbo, Bathurst, Toowoomba, Broken Hill)
1996 Response to Manifesta 1, Duende, Rotterdam
Collections​
Janet Holmes à Court
Cruthers Collection of Women’s Art
Edith Cowan University
Curtin University Art Collection
Chamber of Minerals and Energy, Western Australia
Gomboc Gallery
Private collections: Berlin, Fremantle, Sydney, Canberra
Artist residencies
2024 City of Melville Hickey Street Artist Residency
2023 Unconformity Residency, Queenstown, Tasmania
2021 Fremantle Arts Centre Ceramics Studio
2020 Fremantle Arts Centre, Ceramics Studio
2013 Fremantle Arts Centre
1999 Canberra School of Art, Textiles Studio (graduate in residence)
1995 Glasgow School of Art, Post Graduate Program
1995 de vaalserberg, Rotterdam
1994 Australian National University, Canberra School of Art, Textiles Studio
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Curatorial
2016 field working slow making at Spectrum Project Space, (Holly Story, Nalda Searles, Sharyn Egan, Annette Nykiel, George Karpathakis, Nandi Chinna, Perdita Phillips, Nien Schwarz)
2015 The materials murmur, Spectrum Project Space
2006 Floating, artists: Theo Koning, Rick Vermey, Richard Woldendorp, Rinske Car, Aadje Bruce, Hans Arkeveld) Fremantle Arts Centre Ceramics Studio
Bibliography (selected)
2021 Drummond, Sarah. Plant Women Roaming. In P. Phillips & A. Nykiel (Eds.), We Must Get Together Some Time (pp. 3-5). Lethologica Press.
2021 Pryor, Gregory. Shedding, dwelling, making: the artist collective We Must Get Together Some Time. In P. Phillips & A. Nykiel (Eds.), We Must Get Together Some Time (pp. 29-32). Lethologica Press.
2021 Seesaw. Sustainable artworks yield poignant results. 15 Mar 2021
2017 Government of WA, Department of Finance. Perth Core Library. https://www.finance.wa.gov.au/cms/uploadedFiles/Building_Management_and_Works/New_Buildings/percent_perth_core_library.pdf
2017 Government of WA, Department of Mines and Petroleum. Artworks brighten Perth Core Library. http://www.dmp.wa.gov.au/News/Artworks-brighten-Perth-Core-21940.aspx
2012 City of Joondalup, 2012 Invitation Art Award, exhibition catalogue
2011 Uhlmann, P. Dialogues with landscape, Artlink v. 31(2), p. 150
2010 Fremantle Arts Centre “Home open exhibition catalogue
2007 Cook, R. Over my shoulder: Nien Schwarz in Perth, Art Monthly, April, p. 9-12
2006 Williams, P. Cartographies. In P. Williams & B. Cotter (Eds.), Chart (pp. 4-14). Bentley, W.A.: John Curtin Gallery
2006 de Clario, D. Southness: a note from Valparaiso, Perth Institute of Contemporary Art (PICA), solo exhibition catalogue
2006 Pryor, Gregory. Drilling into Vermeer, Earth matters, Turner Galleries, solo exhibition catalogue
2005 Baxter, M. 2005. Sculpture by the Sea: artists and the public converge on Cottesloe Beach, Perth for the WA incarnation of the famous Bondi Beach event, 17–28 March, Artlink, v. 25(3)
2006 Spencer, R. Taking stock of human cargo, The West Australian Weekend Extra magazine, May 20, p. 13
2006 Spencer, R. Insightful works a shore thing, The West Australian Weekend Extra magazine, March 18, p. 13
2005 Bevis, S. Art on the sand rivals Cottesloe’s tanned torsos, The West Australian, March 9, p. 3
2001 McLean, Ian. Promised land: Nien Schwarz at The Church Gallery", Artlink, v. 21(2), p. 89
2001 O'Brien, Sophie. 2001 Perth International Art Festival Visual Arts Guide, p. 13-14
2001 Art events addressing ecological issues, Artlink, v. 21(3), p. 70
2001 Gauntlett, K. For Nien art's clearly in the bag The West Australian, Feb 5, p. 11
2001 Mateer, John. Earth: Perth International Arts Festival", Art Monthly, March
2001 State Salinity Council of Western Australia. Project Wh-Eat, Metis 2001: Wasted, CSIRO, Exhibitions of Science and Art, exhibition catalogue, p. 78-9
1999 O’Hehir, A. Art: Beyond familiar territory, Muse, April, p. 14-15
1998 Canberra National Sculpture Forum 98, exhibition catalogue, Canberra School of Art
1998 Barron, S. "Diversions from the ordinary", Canberra Times, May 11
1998 Bromfield, D. "Sights to make you soar", The West Australian Big Weekend magazine, Feb 10, 2001, p. 6
1998 Clarke, D. Canberra National Sculpture Forum, Art Monthly, May, p. 10-11
1998 Rolfe, M. and D. Brine. Twelfth Tamworth Fibre/Textile Biennial, Tamworth City Gallery, exhibition catalogue.
1998 Talbot, J. Public art at the Canberra Museum and Gallery", Artlink, v. 18(12), p. 68-69
1997 Talbot, J. ACT Public Art Program", National Association for the Visual Arts (NAVA) Newsletter, Dec, p. 4-6
1997 Thwaites, V. Mapping the comfort zone: the dream and the real”, Artspace, Adelaide Festival Centre, exhibition catalogue
1997 Kenneally, C. Post-Colonial dreaming Artlink, v. 17(3), p. 74-76
1996 Wood-Conroy, D. "The indelible artisan: Tamworth Fibre Textile Biennial 1996", Object, No. 1, 1997
Professional affiliations (current)
2019 Honorary Senior Lecturer, School of Arts and Humanities, Edith Cowan University
2016 Sculpture by the Sea, National Artistic Advisory Committee
Relevant professional experiences and community engagement
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2020 Vice President Ceramic Arts Association Western Australia
2000-19 Head of Sculpture, Senior Lecturer, Edith Cowan University
2015- Sculpture by the Sea, Cottesloe & Bondi, selection panels and judging
2012-21 Department of Mines and Petroleum, Western Australia, Field Assistant
2011-12 Australian Art Collector Magazine correspondent, WA Wrap
2012 The Colour Society, Colours of the Earth, mineral colours workshop leader
2007-11 Art Monthly Australia monthly correspondent, Artnotes WA
2012-17 Geological Survey of Western Australia, photographic competition judge
2007-09 Art on the Move, metropolitan Board member (Deputy Chair, Chair 2009)
1997-99 Canberra School of Art, lecturer (sculpture), tutor (art theory)
1997-98 National Gallery of Australia Canberra, Public Programs Assistant
1997 National Gallery of Australia, installation assistant "Islands"
1981-92 Geological Survey of Canada, Precambrian Division, Arctic expedition cook & camp manager
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Publications: book chapters
Schwarz, N. 2016. “Floating”, in Peters, N. (ed), A touch of the Dutch: Dutch Maritime Military, Migration, and Mercantile Connections on the Western Third 1616 -2016. Carina Hoang Communications.
Schwarz, N. 2006. “Dutch Artists in Australia: Artiesten in Australie van Nederlandse oorsprong”, in Peters, N. (ed), The Dutch Down Under. University of Western Australia Press, p. 398-413
Public talks and conferences (selected)
2021 Holly O’Meehan, Defence/Defiance, Goolugatup Gallery 2021. Conversation with Nien Schwarz, Erin Coates, Melissa McGrath
2021 Holmes à Court, In Situ Artist Talk panel
2021 Indian Ocean Craft Triennial conference paper We Must Get Together Some Time
2016 Sculpture by the Sea Conference, Sydney
2016 Co-curator, field working slow making, Spectrum Project Space, ECU (H. Story, N. Searles, S. Egan, A. Nykiel, G. Karpathakis, N. Chinna, P. Phillips, N. Schwarz)
2011 The Colour Society, Colours from the Earth, The future of colour, UTAS
2011 Geological Survey of Western Australia, Geology in art, Earth Science Week
2009 Buckets and bores, Hydrobotanica Symposium, Int Centre for Landscape and Language, ECU
Published articles, catalogues and essays
2021 Nykiel, A., Schwarz, N. We Must Get Together Some Time: Our slow-making stories. Futuring Craft: International Conference Proceeding; IOTA21: Indian Ocean Craft Triennial 17-19 September 2021, Perth WA. https://issuu.com/iota21/docs/iota21-conference-proceedings-3_compressed
2021 Schwarz, N. The world in a tea towel: Weaving cartographic abstraction, Garland Magazine Sep issue https://garlandmag.com/article/weaving-cartographic-abstractions/
2021 Schwarz, N. We must get together (some time), Journal of Australian Ceramics, V60 no2, 28-31
2019 Schwarz, N. Sculpture by the Sea, Cottesloe, catalogue forward
2017 Schwarz, N. -ing. In Know thy neighbour #1. edited by Katherine Wilkinson, 36-45, Perth: spaced.
2016 Schwarz, N. A dozen years at Cottesloe, Sculpture by the Sea: The first twenty years.
2016 Nykiel, A., & Schwarz, N. (2016). Field working slow making Mount Lawley: Edith Cowan University
2015 Schwarz, N. Trapped: Cecile Williams sculptural works exhibition review. Artlink.
2001-15 Schwarz, N. Gomboc Gallery Sculpture Survey catalogue essays
2013 Schwarz, N. Yonder, exhibition review, Perth Institute of Contemporary Art (PICA), Art Monthly
2013 Schwarz, N. Sculpture@Bathers Artlink, v. 33(2)
2012 Schwarz, N. Spaced: Art out of place, IASKA's Socially Engaged Arts. Artlink, v. 32(2)
2011 Schwarz, N. Landed: knowing by being there, Perth: Gregory Pryor, City of Perth, pp 18-25
2011 Schwarz, N. Nalda Searles, Drifting in my own land in Art Monthly, issue 242, p. 36-38
2010 Schwarz, N. Fanciful and forceful: Denise Pepper in Craft Arts International, v. 80 p. 68-71
2010 Schwarz, N. Wallpaper. Artlink, 30(3), 100
Visual Arts Grants and Awards (selected)
2021 U-15K Department of Local Government, Sport and Cultural Industries, Western Australia.
2015 NAVA Australian Artists Grant.
2001 Australia Council, Visual Arts/Craft Board, New Work grant.
2000 Australian Institute of Aboriginal and Torres Strait Islander Studies, grant
1995-98 Commonwealth Scholarship to Australia (all-inclusive postgraduate scholarship).
1994 Victoria Medal for high academic achievement, University of Victoria, Canada.
Orbicular obsessions
good morning graphite, - 08:39, 14 4 2022, 30" 59' 10" south 118 55' 14" east
Palimpsest, Promised Land, 2001
Canopy
Position doubtful
Peters, Nonja. The Dutch Down
Under 1606-2006. UWA Press 2006